Getting the Monster in My Cupboard: A Personal Account by Rebecca

I have found the writing of this article very hard. I have had to reassess my image of my past. I had to live in a household where the viewing of hard-core porn was the norm. This did me great damage. Part of the damage is that I have lost a great deal of my memory.

I get memories through my body. I can see my past in nightmares. I can remember when watching TV. Watching good acting forces back buried memories. I can feel fear – only it has no name. Then, I choose to be invisible. From the age of eight to twenty-seven I chose not to live.

I had lived with hard-porn from the time I was eight. Hustler entered my life when I was eleven. I found that it suffocated me with fear. Now, I wish to face Hustler in the eye, and to stand tall.

There was a time when I was a happy child. A time I thought that I was free. A time when the adults around me were trustworthy. There was a time when I could wander ’round naked. There was a time when I was a child. Nothing more — nothing less. I see that time as a dream. Sometimes, I stare at photos of me then. I wonder if any of it was true.

My stepdad enter my life when I was eight. He adored porn, the more violent the better. He came with images from sex-murders. Images of children doing things I didn’t want to know. He was a member of PIE [Paedophile Information Exchange, UK].

When he came, I changed. He made me look at the images. It burnt through my brain. When I closed my eyes, it rotted in my body. When Hustler came, I lost hope. All I knew was despair. All I saw was pain, only now it was with a smile. It made no sense. I got headaches. I lost my sight. I was closing down. All I heard was my stepdad’s laughter. He was laughing — as I shook with terror.

Then, I saw “Chester the Molester”. Then I knew I could not fight. In those cartoons, I saw my fate. I looked and I wanted to die. In those images, I saw my fear, my humiliation and my pain. Only, they were just a joke. I felt sick. I had forgotten how to laugh. I was learning to freeze my emotions.

Looking back, I see those cartoons for what they are. I had entered a world where children were property. They were always available for sex. They would never complain. Like the women in the hard-core porn, the children knew their place. They would learn to smile when in pain. When I saw “Chester the Molester” I was taught that sex was pain and fear. I learnt that it was inevitable I would be raped, beaten and threaten. For, after I learnt that the world belong to the rapist. I knew resistance was futile.

I survived by closing down my visual imagination. I thought it was a short-term solution, but it lasted for the rest of my life. Even when I relax I cannot escape into places that I have loved. Hard-core pornography has taken away my dreams.

My stepdad begun abusing me when I twelve. His abuse was gentle and calm. It was not as I had expected, it felt as if it was an accident. I thought that I was lucky since I was not dead or being tortured. I thought I had done something to make him touch me.

Hustler had taught how to be abused. I was now obeying my stepdad. I had stopped thinking that I could say no. As the abuse became more and more painful, as I became more and more degraded it all became clearer. I know the rules now.

Only, it made no sense. For, I could not understand why he keep saying that he loved me. How that be true, when he threw me into hell. Now, I see he spoke the language of hard-core porn. Always linking pain with pleasure. Speaking of how it was fine to have sex with kids. Telling me that it was only society’s conventions that say that it is wrong.

He made me believe that I received pain because I had moved. Every time he made me cum, he would say that I was a whore. I see now that I was his live porn.

When I was fourteen I had given up. I had decided that all I deserved was pain. I knew I was just a whore. I had been brainwashed by hard-core porn. I went blindly into the world of paid sex. At the time, I felt it was my decision — only I knew nothing.

I went towards men that used extreme sexual and physical violence. In that world, I found my place. The familiar place that I had seen in Hustler‘s photo-shoots. I thought I was hardened. I had forgotten that I was still a child. I thought I understood the rules of the game. But I was so wrong.

I did not know that each time that they hit me that I would go into shock. I did not know that each time that they raped me, I would feel pain. And I had no idea that men could hate women with such intensity. I thought I was street-wise. I was a child screaming to be rescued.

In their beds, I was an object. My eyes were dead. I had become just holes to be filled. Now, I had reached the beginning of my pain. Now, I was part of porn. I had no feelings left. My safety was not relevant.

Seeing me then, I can see the dead eyes in the Hustler‘s photo-shoots. I can understand that look. It is the look where hope is forgotten. For hope will only bring pain.

To believe in hope, will only mean facing the reality of the violence that i was living through. Then I may kill myself.

That time, was a different life to the one I live now. I know it is part of me, but I see it through a haze. My past made me strong and gave me a great deal of compassion. Now I feel some contentment for my life is low-key.

I was changed by having hard-core porn forced into my life. I can never regain the open trust I had before I was eight. I am still wary of my own sexuality. Hard-core porn placed an underlying depression in me. I still fight the desire to go back to violence when I am depressed. After all, violence was my norm. I am building a non-violent world around myself, but I find it very hard. For I cannot understand the rules of a safe life.

Each day, I am learning that I am more than a whore. I see now, that was never true. It was just the lies that hard-core porn placed in my brain. I live in the hope that one day, somehow, all women and children will be safe from the hated of hard-core porn.

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Larry Flynt: The Right to Be Left Alone?

What Larry Flynt was really doing the night
of the opening of Larry Flynt: The Right to Be Left Alone.

On Friday the 13th in April 2007 The Right To Be Left Alone, the latest documentary on Larry Flynt had its world premiere as the “center frame” film at the Full Frame Documentary Film Festival, sponsored by Duke University, The New York Times and HBO. Flynt was even invited as an honored guest, however his brother showed up instead, because Flynt said he was ill. At the opening, his brother said the reason Flynt was not present was not because he was sick. Maybe he was too busy satisfying his fetish for bondage pornography and not leaving women alone by violating their privacy in every way imaginable on his blog.

There were over 2,000 films entered in the Full Frame Festival, and apparently the Flynt documentary was among only one of two films that escaped the critical review process in an otherwise scholarly environment. Full Frame appears to have given Larry Flynt special protection where it could be assured that his critics were kept silent in order to protect Flynt from criticism. Free Speech, anyone?

Full Frame’s motto is “How much reality can you handle?”, but the filmmakers have produced a manipulative and superficial examination of Flynt, one that uses propaganda tactics and takes their audience for a ride. It is indeed a very unreal portrayal of Flynt which includes even “very little nudity” and hypocritically did not mention any of the massive amounts of racist, homophobic and misogynist materials he produced.

For decades Hustler, his hate magazine, has been on sale in almost every convenience store in the country. During that time, with each new issue every month he has declared war on women, feminists, people of color, animals, Jews, the disabled, children, and animal rights activists, as well as other groups or individual who disagreed with him. Flynt has aimed hate speech and harassment against every mistreated or oppressed groups you can think of. A full generation of males have now been raised on contempt like his and he loves it.

Dwayne Tinsley, close personal friend to Flynt, and the creator of the Hustler cartoon “Chester the Molester,” which depicted pre-teen girls of all races being molested, was convicted in 1990 of sexually abusing his daughter. When he was released from prison, after serving his time, Flynt hired him back on at Huster. In February 1996, Hustler publisher Joe Theron was arrested in Britain with 400 videos imported from South Africa, many of them depicting child pornography.

For all this Flynt is being promoted as a free speech hero instead of the greedy, exploitive, racist misogynist he really is. The right to be left alone? The right to be left alone? In his whole life Larry Flynt has never left anyone alone. Flynt has aimed hate speech and harassment against every oppressed groups you can think of. Big man. Big hero. Thanks Duke University, HBO, New York Times and Full Frame Documentary Festival!

Most people who have seen the Larry Flynt movie think they know who Larry Flynt is. A leading figure in the struggle for free speech, who published, according to our modern eyes, quite innocent nudie-photos and some jokes against the right wing conservatives and Jerry Falwell. Sounds cool but it’s a lie.

The real Flynt has little in common with the martyr that he finances people to describe him as. According to his own autobiography Flynt’s first sexual experience was raping a chicken. He killed the chicken to “avoid suspicion”. He has also gone to tremendous degrees in his attempts to silence his daughter from talking about how she was raped by him. He has used his power in the media to attempt to instill intimidation in any who spoke out against pornography. He used his magazine to vilify activist Aura Bogado with hateful, violent and threatening cartoons and articles. In his column called “Asshole of the Month” he has included Barack Obama, Diana Russell, Andrea Dworkin, Dorchen Liedholdt, Gloria Allred, Catharine MacKinnon and hundreds of others. In the 1970s he put out “Wanted Posters” for Gloria Steinem and Susan Brownmiller because they were antipornography. He has offered a bounty on feminists who have been critical against him and done whatever he could to silence whoever would be critical against the racist and misogynic material in his magazines.

The only free speech Larry Flynt really wants is his own and what he wants said, which makes him as much of a defender of free speech as say for example Stalin or Hitler.

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Larry Flynt and Hustler Magazine

by Linnea W. Smith, MD, 2003

When the media refers to Larry Flynt and his gubernatorial candidacy in California, they tend to mention his advocacy for freedom of the press, but they censor more important information regarding his assault on women and children. Flynt, a self-proclaimed champion of the First Amendment, is a description parroted by media sources uncritically. The legitimization of the publisher of Hustler magazine is alarming, but the distortions and omissions of mainstream media, while unfortunately not uncommon, are even more alarming. I’m not an expert at all on Flynt, and I intentionally limit my exposure to his publications because they are so brutally dehumanizing and degrading, but I can make a few general points why any socially responsible citizen would challenge Flynt’s candidacy for any office.

Since Larry Flynt began publishing Hustler in 1974, the intent of the naked female pictorials has been to bring the “accessible” girl-off-the-street to working class males. The depictions are less glossy, more explicit, gynecological, violent, and degrading than many of those featured in Playboy and Penthouse. These three euphemistically-termed men’s magazines are the three top-grossing in this genre.

Hustler targets juvenile consumers. In Reisman’s content analysis “An unforeseen finding may be the estimated 27 percent of Playboy, 33 percent of Penthouse, and 47 percent of Hustler cartoons and illustrations identified as ‘child magnets.’ Briefly child magnets are features which are generally unique to the children’s world of entertainment (e.g., books and television) and known to attract child readers/viewers. …Since evidence confirms the large juvenile readership of these magazines, the unique quality of Child Magnets may be viewed as a technique both catering to, and attracting a juvenile audience. Therefore the depictions presented in ‘Child Magnets’ may be presumed to be of special public interest and concern.” (Reisman, 1989)

Of these three magazines published between 1954 and 1984, Hustler had the most depictions of children in its cartoons and visuals. In Reisman’s content analysis there were 14 child images per issue or 12% of the total imagery. Hustler was also the magazine most likely to depict the children as nude or partially nude in its visuals. (Playboy had 8 images per magazine or 5% of the total imagery while Penthouse had 6 images per magazine or 4% – all unacceptable numbers!) (Reisman, 1994)

Dwaine Tinsley was a featured cartoonist in Hustler as well as the humor editor for many years. He wrote the “Chester the Molester” monthly cartoon feature until spring of 1989 when he was convicted on multiple accounts of child molestation. He had drugged his daughter, put her on birth control pills when she was 13 years old and sexually abused her until she was l8 years old. She described the cartoon series as depicting much of her experience as a sex abuse and incest victim. After two years in jail, Tinsley was released by an appeals court when it ruled that the prosecution should not have shown the molester cartoons to the jury and “inflamed the passions” of the jurors. What do the cartoons do to the vulnerable juvenile and adult consumers of the magazine? Tinsley returned as an employee of Hustler magazine after his release from prison.

One of Larry Flynt’s daughters, Tonya, accused her father of child sexual abuse. She wrote a book about her experiences and her concerns about pornography. Flynt denied the charges and viciously attacked her in the media, a strategy more common among perpetrators. Another daughter did not support the charges by Tonya, and she reportedly was not disinherited as was Tonya

Larry Flynt is best known for publishing Hustler magazine, but his company, LFP, Inc. puts out about 29 other magazines. He is responsible for Barely Legal, the very popular magazine and video series. The magazine features naked and pornographic pictorials of female models, who are usually described as having just celebrated their 18th birthday.
They more commonly look 12 to 14 years old, and wear pigtails, hair bows, saddle shoes, and younger childish clothing and props. The text usually describes them as “sluts,” etc., with years of sexual activity by the girls or they are virgins who urgently need their condition remedied. This is newsstand pseudo-child pornography. Thsi is a technique to circumvent the letter of the law, while breaking the essence of the law to protect underage youth.

There is a Hustler make-up and accessories line targeted to adolescent girls. More information on these branded products and their marketing is needed..

Big Brother magazine is published by Flynt and is targeted to adolescent and younger skateboarders. The covers are often child magnets and not explicit. Dave Carnie, the editor in 1999 admitted the magazine covers are intentionally deceptive so parents won’t suspect the content, and children can be deceived into purchasing a magazine with a pornographic mindset There are no typical pornography photos, but the raunchy sex talk, etc., is embedded in the text. Interviews with 14 year old boys include questions like, “would you f**k your mother to be as good as so and so skateboarder?” Tips for girls for attention at parties include to “show their boobies,” and to find one, two or three other girls to engage in pseudo-lesbian activities while drinking alcohol, etc. When asked why there was no parental discretion warning labels the editor stated that Flynt wouldn’t allow it because it may affect circulation numbers. (Pettineo, 1999)

Gail Dines addresses the racist content in Hustler magazine. Black males are portrayed in the cartoons and visuals as violent and dangerous, and sexual monsters with oversized penises raping white women. This chapter may be accessed at:

http://www.hustlingtheleft.com/CRAPP_E_LIB/dines.html

A disturbing reference to Hustler occurred in A & F Quarterly, Spring, 2002. This catalog and lifestyle magazine combination targets adolescents while promoting their Abercrombie & Fitch casual clothing line popular with preadolescents and early adolescents anxious to be like cool college kids. Scattered throughout the sexually explicit publication are interviews with various celebrities popular with youth. The following includes a portion of an interview with MC Paul Barman, a hip-hop performer:

“…I’d like to predict a fashion. …Okay. Have you seen Playboy T-shirts around? When a girl wore a Playboy shirt when I was a teenager, it was the hottest thing ever. Now, you know how it is ultimately, whatever is amazing becomes preppie. They sell ’em in a mall. However, anytime you have something trendy, a branch of it, which is a little bit more obscure and has a little bit more flavor, is the new cool thing. So I once saw a cute girl wearing a Hustler shirt, and I once saw a cute girl wearing a Barely Legal shirt. I’ve seen one of each. And I’m telling you, there are going to be a lot more of them. If we started a company bootlegging T-shirts with the logos for Hustler, Barely Legal, High Society-Black Tail, I think, would be huge-this is how you make money. Twenty-five dollars, plus shipping and handling, on porno****.com. Have you ever seen a flat-chested girl who looks like the stepdaughter of a business executive wearing a shirt that says “PORN STAR’? These chicks are not porn stars. They probably don’t even go down. But they will wear a Nugget T-shirt. And I want to be the person that sells it to them.” (Collins, 2002)

Sean T. Collins, “Mc Paul Barman: The Crown Prince of Rhyme” in A & F Quarterly, Spring, 2002, Abercrombie and Fitch, Columbus, OH.

Dines, Gail, 2002, “King Kong and the White Woman: Hustler Magazine and the Demonization of Black Masculinity” in Gail Dines and Jean Humez, Gender, Race and Class in Media, CA: Sage

Pettineo, David, “Sex and the Modern Skateboarder: Talkshow Host Exposes Larry Flynt Kiddy Porn Scam” accessed March 19, 1999, WorldNetDaily.com

Reisman, Judith A., 1994, “Child Pornography in Erotic Magazines, Social Awareness and Self-Censorship” in Zillmann, Dolf, Bryant, Jennings, Huston, Aletha C., eds.  Media, Children, and the Family: Social Scientific, Psychodynamic, and Clinical Perspectives. Hillsdale, New Jersey; Lawrence Erlbaum Associates, Inc., pp. 313-325

Reisman, PhD., Judith A., 1989,  Images of Children, Crime, and Violence in Playboy, Penthouse, and Hustler Magazines,  Lafayette, LA: Huntington House.

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Hollywood Cleans Up Hustler

by Gloria Steinem
New York Times Op-Ed
January 7th, 1997

Larry Flynt the Movie is even more cynical than Larry Flynt the Man. “The People vs. Larry Flynt” claims that the creator of Hustler magazine is a champion of the First Amendment, deserving our respect. That isn’t true.

Let’s be clear: a pornographer is not a hero, no more than a publisher of Ku Klux Klan books or a Nazi on the Internet, no matter what constitutional protection he secures. And Mr. Flynt didn’t secure much.

The Reverend Jerry Falwell sued him over a Hustler parody that depicted Mr. Falwell in a drunken, incestuous encounter with his mother. Mr. Flynt’s victory only confirmed the right to parody public figures (if the result can’t be taken as fact) and prevented plaintiffs from doing an end run around the First Amendment by claiming they suffered “emotional distress.”

In fact, the Nazis who marched in Skokie, Ill., and the Klansman who advocated violence in Ohio achieved more substantive First Amendment victories than did Mr. Flynt. Yet no Hollywood movie would glamorize a Klansman or a Nazi as a champion of free speech, much less describe him in studio press releases as “the era’s last crusader,” which is how Columbia Pictures describes Mr. Flynt.

In this film, produced by Oliver Stone and directed by Milos Forman, Hustler is depicted as tacky at worst, and maybe even honest for showing full nudity. What’s left out are the magazine’s images of women being beaten, tortured and raped, women subject to degradations from bestiality to sexual slavery.

Filmgoers don’t see such Hustler features as “Dirty Pool,” which in January 1983 depicted a woman being gang-raped on a pool table. A few months after those pictures were published, a woman was gang-raped on a pool table in New Bedford, Mass. Mr. Flynt’s response to the crime was to publish a postcard of another nude woman on a pool table, this time with the inscription, “Greetings from New Bedford, Mass. The Portuguese Gang-Rape Capital of America.”

Nor do you see such typical Hustler photo stories as a naked woman in handcuffs who is shaved, raped, and apparently killed by guards in a concentration-camp-like setting (“The Naked and the Dead”). You won’t even meet “Chester the Molester,” the famous Hustler cartoon character who sexually stalks girls.

You certainly don’t see such Hustler illustrations as a charred expanse of what looks like human skin, with photos of dead and dismembered women pinned to it.

On the contrary, the Hollywood version of Larry Flynt, played by the charming Woody Harrelson is opposed to violence. At an anti-censorship rally, he stands against a backdrop of beautiful images of nude women that are intercut with scenes of Hiroshima, marching Nazis, and the My Lai Massacre. “Which is more obscene,” the Flynt character asks, “sex or war?” Viewers who know Hustler’s real content might ask, “Why can’t Larry Flynt tell the difference?”

Mr. Flynt’s daughter Tonya, 31, is so alarmed by this film’s dishonesty that she joined women who picketed its opening in San Francisco. She also publicly accused Mr. Flynt of having sexually abused her when she was a child, a charge he vehemently denies, and attributes to her “mental problems.”

“I’m upset about this film because it supports my dad’s argument that pornography does no harm,” she said. “If you want to see a victim of pornography, just look at me.”

Unlike his film character, the real Mr. Flynt is hardly an unwavering advocate of free speech. Indeed other feminists and I have been attacked in Hustler for using our First Amendment rights to protest pornography. In my case, that meant calling me dangerous and putting my picture on a “Most Wanted” poster. I was also depicted as the main character in a photo story that ended in my sexual mutilation. Given the number of crimes that seem to imitate pornography, this kind of attack does tend to get your attention.

So, no, I am not grateful to Mr. Flynt for protecting my freedom, as the film and its enthusiasts suggest I should be. No more than I would be to a racist or fascist publisher whose speech is protected by the Constitution.

My question is: Would men be portrayed as inviting, deserving, and even enjoying their own pain and degradation–as women are in Mr. Flynt’s life work?

Suppose Mr. Flynt specialized in such images as a young African American man trussed up like a deer, and tied to the luggage rack of a white hunter’s car. Or a nude white man fed into a meat grinder? (Those are some of the milder ways in which Hustler portrays women.)

Would Oliver Stone–who rarely lets powerful men emerge unscathed–bowdlerize and flatter that kind of man, too? Would Woody Harrelson–who supports animal rights and protests the cutting of trees–pose happily next to that Larry Flynt? Would Milos Forman defend that film by citing his memories of censorship under the Nazis?

What if the film praised an anti-Semitic publisher? Would it be nominated for five Golden Globes? Would there be cameos by Donna Hanover Giuliani, the wife of New York City’s Mayor; Burt Neuborne, a New York University law professor; Judge D’Army Bailey of the Memphis Circuit Court or James Carville, President Clinton’s former political consultant? I don’t think so.

The truth is, if Larry Flynt had published the same cruel images even of animals, this movie would never have been made. Fortunately, each of us has the First Amendment right to protest.

Gloria Steinem, a founder of Ms. Magazine, is a writer and activist against pornography and censorship. 

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Tonya Flynt speaks out against The People Vs Larry Flynt and her father

by Tonya Flynt

My name is Tonya Flynt. I am here to tell you that the portrayal of my father, Larry Flynt, in Oliver Stone and Milos Forman’s movie is a pack of lies. My father, the founder and publisher of Hustler Magazine, is not a hero who has sacrificed everything to fight censorship and protect freedom of speech. He doesn’t give a damn about freedom of speech. All he cares about is making millions of dollars out of the sexual exploitation of women and children.

My father is a pornographer, a pimp, and a molester of children. I say this with pain and sorrow because in spite of everything he has done, I still love my father. I also say this with fear, because my father has threatened me and my daughter. But I feel I have a responsibility to expose the truth about my father. Making Larry Flynt a hero justifies and makes invisible the harm he has done to women and children. It silences their voices and muffles their cries of pain. This is exactly what Oliver Stone’s movie has done.

This is the real story behind Hustler. Before my father owned his first bar, he was a small-time pimp with a string of women. That’s how he got the money to open his first bar and strip club. During the time he owned strip clubs, my father continued to pimp the women who worked in the clubs. He would make the women have sex with customers and give him a cut of the proceeds. That’s how he made so much money so quickly.

Why does the movie ignore the connections between my father’s financial empire and the prostituting of women and girls? Why doesn’t it say that Althea was a child prostitute? Why doesn’t it say that my father made his early money pimping? I guess it’s easier to glorify a pornographer than pimp?

To my father, women have always been objects to dominate and control. He showed his power through sexual use and abuse. One of my father’s favorite sayings was, “The man who controls pussy controls the world.”

My father used his power against me when I was a little girl. I worshiped my father. Part of that worship grew out of the fact that he lived in unimaginable luxury while my mother, my sister, and I lived in dire poverty. He didn’t feel any obligation to support us. We were always one step from destitution. We would go visit him at his mansions and have a taste of wealth and privilege. Then we would be back at home, worrying about how to pay the rent. The movie doesn’t talk about that.

My father used his power against me in another way too. He sexually abused me. On one occasion, my Dad was angry because I wouldn’t stop crying. He came in, out of control with rage, and beat me over and over again with a belt. That night he came into my room and sexually molested me. He penetrated me with his fingers. He made me touch his penis. He had oral sex with me and made me have oral sex with him. I hadn’t celebrated my thirteenth birthday when he did this to me.

On many occasions, he would touch my breasts or grab me between the legs. One time he came into my bedroom, took my panties off, and fondled me.

When my sister and I visited my father, he made no effort to shield us from any of the brutal and humiliating pictures. He was proud of them. Twice he sent me pornographic Christmas cards stuffed with money. At 8 or 9, my father made me and my sister go into a go-go bar, dress up in revealing outfits, and dance for him on the stage like strippers. I can’t tell you the damage these experiences did to my feelings about my body and to my sexuality. These are issues I will struggle with for the rest of my life.

My father wasn’t content just to molest me. I have been told by a close relative that he makes trips to Bangkok and buys little girls there. I was also told he brought back videotapes of child pornography from Bangkok. It causes me so much pain to realize that what he was doing to me he does to little girls pushed into prostitution by poverty.

Pornography and prostitution turned my father’s heart stone cold. It made him see even his own daughter as an object to use for his sexual gratification. I am the mother of a nine-year-old daughter. And when I look at her I thank God that I have been able to protect her from the abuse I was subjected to.

Hustler says it’s funny and sexy to molest little girls like my daughter. And Oliver Stone says Hustler is about freedom and liberation. That’s a dangerous message.

I ask you to look at these pictures and ask yourself: who benefits from them and who is harmed? Is this freedom?

Copyright Off Our Backs, Inc. Apr 1997
All rights Reserved

[Larry Flynt has publicly denied allegations that he molested his daughter however there is a tape that refutes his claim that was made by his wife that documents her confrontation of him about it.]

Please visit our websites: http://www.hustlingtheleft.com & http://www.therighttobeleftalone.org . Our myspace website was taken down by the management at myspace (owned by Fox and Rupert Murdock) and turned over to Larry Flynt. If you have links to this page on your sites be sure to take it off. Thanx

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